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电影
牧师的结局
1969 / 捷克斯洛伐克 / 喜剧
伏拉基米尔·布劳德斯基 / 扬·利比切克 / 亚娜·布赖霍娃 / Zdena Skvorecka / Josefa Pechlatová / Helena Ruzicková / Eva Repíková / Marie Landova / Libuse Freslová / Jana Synková / Ludmila Lebedová / Andrea Cunderlíková / Marie Rybnícková / Jaroslav Satoranský
A verger, who likes to dress as a priest, is invited, by one of the villagers, to be the pastor at a vacant church. The atheist teacher resents the pastor, and tries to embarrass him in various ways, including being caught with the local girl, Majka.
电影
第七日第八夜
1969 / 捷克斯洛伐克 / 剧情
扬·利比切克 / 瓦茨拉夫·巴布卡 / 约瑟夫·贝克 / Karel Belohradský / Bozena Böhmová / 尼娜·蒂维斯科娃 / Josef Elsner / Josef R. Engel / 科维塔·菲亚洛娃 / Ladislav Gzela / Karel Hovorka / 弗拉迪米尔·赫拉巴内克 / 伊日·哈莱克 / Vladimir Jedenáctik
This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script. The director Evald Schorm (1929-1988) was one of the most original members of the Czech "New Wave". During the "normalization" era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the "Na zábradlí" Theater and Laterna Magika.
电影
底层的珍珠
1965 / 捷克斯洛伐克 / 喜剧
Pavla Marsálková / 费迪南德·克鲁塔 / 阿洛伊斯·瓦赫克 / Miroslav Nohýnek / 伊日·门泽尔 / Milos Ctrnacty / Frantisek Havel / Josefa Pechlatová / 伊万·维斯科切尔 / Vera Mrázkova / Vladimír Boudník / Ales Kosnar / Dana Valtová / Ivan Vyskocil
本片是捷克新浪潮运动兴起时的一次集体亮相，这些崇尚个性的导演大多数毕业于布拉格电影学校，他们希望打破苏联电影教学模式试图以崭新的影像语言描绘他们所看到的世界，这些题材各异的短片表现了年轻导演对于世界的理解和他们的关注点，这五位导演分别是伊日· 门泽尔（《严密监控的列车》）、维拉齐蒂洛娃（《雏菊》）、亚罗米尔·伊雷什（《瓦莱莉和她的奇迹一周》）、埃德尔瓦·朔尔姆和扬·涅麦茨。他们以他们的年轻和热情在一个禁忌的年代用最大可能表现了他们的思想和充满先锋、前卫的视觉。