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虎王·王者归来
陈宝欣 / 晋松 / 张皓承 / 苗溢伦
五胡乱华时期,有一处老林子里流传着“山神”的传说。一直信奉山神白虎的白头村,在祈福仪式后却突然遭到白虎屠村。为此众人请白头村的传奇猎人楚疆出山,经历了重重磨难,一场一人一虎与入侵者的战斗就此打响……
电影孟加拉虎
黛博拉·佩吉特 / 保罗·霍布施米特 / 沃尔特·雷耶尔
Fritz Lang returned to Germany on the eve of the 1960s to direct this enchanted penultimate work, a redraft of the diptych form pioneered in such silent Lang classics as Die Spinnen; Dr. Mabuse, der Spieler.; and Die Nibelungen. Although no encapsulating title was lent at the time of release to what is, effectively, a single 3-hour-plus film split in two, the work that has come to be referred to in modern times as “the Indian epic” (consisting of Der Tiger von Eschnapur and Das indische Grabmal) proved to be one of the legendary director’s most adventurous achievements. It was also one of the most popular successes Lang was to experience in his native land. A German architect (Paul Hubschmid) is commissioned by an Indian maharaja (Walter Reyer) to construct a temple on his palatial grounds. After saving the life of a bewitching dancer (Debra Paget) on whom the maharaja has spousal designs, the hero is pulled ever deeper into a hazardous maze of traps, perhaps the purest realisation of Lang’s obsession with a labyrinthine ‘house of death’ – that is, Man challenging Fate. Like Lang’s following final work Die 1000 Augen des Dr. Mabuse, the Indian epic charts new territory for the director, as it strikes out into the über-melodramatic tenor of his early silents while inciting the colours of the emulsion into adopting a lurid, sometimes gaseous palette. Arriving in the wake of The River (Renoir), India matri bhumi (Rossellini), and Black Narcissus (Powell & Pressburger), Lang’s Indian epic stands among the remarkable mid-century contributions of Western filmmakers who have contemplated India. The Masters of Cinema Series is proud to present Lang’s films on DVD in the UK for the first time.
影视摧花毒降头
白彪 / 陈赤美 / 孟虎 / 蘋琪狄玲
一男子被土著追杀进入一部落,部落的首领为一大美女,与部落美女首领结合,中降头,回到城市中继续风流,女子皆中降头而死,后男子回归部落,破解降头.......