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电影幽冥
亚当·贝萨 / 托菲克·巴霍姆 / 朱莉娅·弗兰茨·里克特 / 哈拉·拉贾卜 / 莎菲卡·艾尔·蒂尔 / 西尔韦恩·萨姆森 / 穆罕默德·萨布尔·拉苏利 / 法伊萨·阿里亚 / 帕斯卡尔·塞沃 / 穆达·拉马丹 / 玛丽·雷蒙德 / 杜拉多·贾迪巴 / 法赫尔·阿尔迪恩·法亚德 / 扬蒂·欧玛特
正义得不到伸张的话，我们还可不可以做一个正常的人？极权政治受害人告诉我们不可以。叙利亚内战爆发，曾被关押到塞德纳亚监狱的青年获救后移居德国，始终无法忘记向他施加酷刑的战争罪犯。收到恶人身在法德边境的史特拉斯堡，百里追凶的旅程随即展开。跟踪、偷拍、调查，誓要搜集凶嫌身份证据，讨回公道。乔纳森梅勒在其首部剧情长片即经营细致入微，刻划创伤难以平伏的焦虑与痛苦；每一段咬牙切齿的举措背后，淌流着永远干不了的惨惨血迹。
电影罪恶部队
西蒙·阿布卡瑞安 / 维吉妮·拉朵嫣 / 罗班松·斯泰弗南 / 罗拉·奈马克 / 格雷戈瓦·勒普兰斯-林盖 / 阿德里安·若利韦 / Olga Legrand / 亚历山德鲁·波托切安 / 让-皮埃尔·达鲁森 / 扬·特雷古埃特 / 帕斯卡尔·塞沃 / 阿丽亚娜·阿斯卡里德 / 乔治·巴布鲁阿尼 / 米格尔·费雷拉
“当子弹开花时他们共有二十三人，二十三个在这之前已献出真心的人，二十三个作为我们兄弟的外国人……”1955年，法国诗人阿拉贡曾为一群为法国献身的移民写下这样的诗句。时间回到1943年德军占领巴黎期间，在亚美尼亚诗人米萨克·马努尚（Missak Manouchian）的带领下，一群年轻的犹太人、匈牙利人、波兰人、罗马尼亚人、西班牙人、意大利人、亚美尼亚人结成了地下抵抗组织，决心为了解放他们所爱的法国而战斗。他们冒着生命危险，进行了多起针对纳粹及其傀儡的暗杀行动。很快，他们成为了纳粹的眼中钉，警方通过跟踪、检举、要挟以及严刑拷打等手段掌握并镇压了他们的行动。1944年2月21日，包括马努尚在内的22名男子和一名女子被判处死刑。这二十三人被纳粹称为“罪恶部队”，而其后他们的形象却随着一张张红色宣传单出现在全国的大街小巷，这些为了法国的自由而牺牲的外国移民最终成为了这个国家的传奇英雄。 转自：http://www.mtime.com/my/eldorado/blog/2592922/
电影怪趣群鸟
洛丽塔·夏马 / 让·索雷尔 / 维吉妮·拉朵嫣 / 帕斯卡尔·塞沃 / 罗纳德·夏马
Mavie is 27 years old and has just moved to the French capital from the provinces. She dreams of a future as a writer but is plagued by doubt and uncertainty. 76-year-old misanthrope Georges runs a bookshop in Paris – or has he merely been forced to take refuge there to escape his past? These are two peculiar creatures indeed. Georges is cynical and no longer expects much from life, while Mavie is still brimming with expectation. Yet something magical happens between them, until Georges' dark secret suddenly catches up with him – and Mavie is caught up in something very different... Director Elise Girard succeeds in making a dreamlike film full of surprising absurdities. It’s not just love that appears out of the blue for the two protagonists, but also some quite literal strange birds. Girard depicts love beyond the barriers of age in a way that is both unexpected and moving, romantic instead of physical, timeless instead of fashionable. The film reminds us of the multifaceted nature of love as well as how fleeting it can be, existing not yesterday or tomorrow but above all in the present.