搜索 「弗拉维安·迪朗」,找到 4 部影片
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剧集羞耻(法国版) 第七季
露西·法朱得 / 弗拉维安·迪朗 / Sohan Pague / 露易丝·马莱可 / 昆汀·纳努 / Ayumi Roux / Alain Bouzigues
Tiffany spent her first year bullying Lola, and since La Mif joined their school, the two girls have been avoiding each other. Lola feels safe, surrounded by her close guard. After a rhythmic gymnastics competition, Tiff suffers from severe stomach pains. She collapsed in the middle of the locker room, the firefighters were called in urgence. Their verdict is final: Tiff is the victim of a pregnancy denial. How will she deal with this trauma? How will she take care of the baby? Will Mif manage to leave the past behind to help her to get through this trauma? After this upheaval, Tiff will never be the same again ...
剧集羞耻(法国版) 第六季
弗拉维安·迪朗 / 卢拉·科顿-弗雷尔 / 马克桑斯·达奈-弗伟尔 / 阿克塞勒·奥赫扬 / 菲莉皮娜·斯丹德尔 / 科林·普雷尔 / 阿萨·西拉 / 罗宾·米涅 / 保罗·斯卡尔福利奥 / 多丹·里奥 / 玛丽莲·利马 / 米歇尔·贝尔
Lola may be Daphné's sister, but the two girls couldn't be more different. If Daphne is naturally optimistic, joyful and ingenuous, Lola drags a darkness and a permanent unhappiness. This is one of the reasons why Daphne never spoke about her ... And then, a family drama will turn the existence of the two sisters upside down. Lola, isolated and self-destructive, completely lose herself. She will have to learn to open up to others: Eliott, Maya and La Mif, the newcomers, but also of course the gang and the crew.
电影挣脱
弗拉维安·迪朗 / 莎拉·布拉姆斯 / 卡米莉·拉瑟福德 / Till Clémence / Claude Fugère / Faustine Mathieu / Tom Nappiot / Guillaume Henry / Lucie Mysliveckova / Anatole Navarro / Léandre Navarro / Laeticia Reichenbach / 莎宾·蒂莫提欧 / Yohann Thenaisie
在一次离家出走试图寻找始终下落不明的父亲之后,17岁的玛侬成功地摆脱了这种家庭羁绊,并以意想不到的方式重建了自己,从而重新追逐自己的梦想:成为一名职业冰球运动员。
剧集婚姻神话第二季
玛丽娜·汉斯 / Minette / 马修·德米 / 泽莉·里克森 / Jérémy Gillet / Luca Terracciano / 范林丹 / 凯瑟琳·蒙切特 / Marie Bouvet / 伊夫·雅克 / Fadily Camara / 安德里亚·龙卡多 / 道恩·福特 / 朱莉娅·福雷
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb