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影视多萝西娅的复仇
安娜·亨克尔 / Alexander von Paczensky / Gerhard Gommel
《多萝西娅的复仇》的开场,演员直接朝镜头后的观众说话。这还只是你在观看该片时所能发现的众多古怪桥段之一。从影片开头,我们了解到多萝西娅(Dorothea)是一名17岁少女,她刚刚还有过性行为,她手上抱着的冒烟的陨石可以证明这一点。她的父母很担心避孕药是否起了作用。影片的其他部分则围绕多萝西娅展开。她试图了解更多关于爱情的信息,包括生理和心理方面。但她却一次又一次遭到各种令人惊异的人的侮辱。后来,基督出现并给予了她一些好建议。<br>这是一部十分怪诞的电影。最让人惊奇的可以说是多萝西娅的父亲经营着一家生产"发笑器"的公司。"发笑器"是一个装在袋子里的金属盒。当你摇晃袋子时,你会听到歇斯底里的狂笑。这部作品太令人敬佩了!俨然成为七十年代德国电影中最奇特的电影之一。
电影巴伐利亚打猎即景
Martin Sperr / 安吉拉·温科勒 / 汉娜·许古拉
ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus: quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different': a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.