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电影
女巫1967
1967 / 意大利,法国 / 剧情 / 喜剧 / 爱情
西尔瓦娜·曼加诺 / 安妮·吉拉尔多 / 弗朗西斯科·拉瓦尔 / 马西莫·吉洛蒂 / 维罗尼卡·旺代勒 / 埃尔莎·阿尔巴尼 / 克拉拉·卡拉马伊 / 玛丽卢·托洛 / 诺拉·里奇 / 迪诺·梅莱 / 赫尔穆特·贝格 / 布鲁诺·菲利皮尼 / 莱斯利·弗伦奇 / 阿尔贝托·索尔迪
"The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
影视
吾妻正斗
1971 / 意大利 / 喜剧
兰多·布赞卡 / 劳拉·安托内利 / 费鲁乔·德切雷萨 / 艾尔莎·瓦祖莱拉 / Gino Cavalieri / Luciano Bianciardi / Adolfo Belletti / Franco Bisazza / Gigi Bonfanti / Bruno Boschetti / Felicita Fanny / 埃达·费德罗娜奥 / Corrado Olmi / Alfredo Piano
尼科洛（兰多·布赞卡 Lando Buzzanca 饰）是维罗纳交响乐团里的大提琴手，在排练《阿依达》的过程中，尼科洛因为自己懦弱的性格常常遭到乐团指挥的冷眼，这令他感到非常的沮丧。尼科洛虽然演奏大提琴多年，但是事业上一直没有什么起色，在乐团的遭遇让他对自己的未来更加的没有了自信。<br>在功利心的趋势之下，尼科洛开始动起了歪脑筋，他发现自己美丽而又顺从的妻子克斯坦扎（劳拉·安托内利 Laura Antonelli 饰）非常受男人欢迎，于是决定出卖她的美色，来为自己牟利。随着时间的推移，尼科洛的行为越来越过分，他竟然想在乐团表演《阿依达》期间，在2万人面前用妻子的裸体来代替大提琴演奏。

女巫1967

吾妻正斗