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电影都是我的错
居梅奇·阿尔派·阿斯兰 / 易卜拉欣·布尤卡克 / 梅廷·科斯昆 / 克里姆坎·卡迈勒 / 格泽姆.卡拉贾 / 穆菲特·卡亚坎 / 奥古赞·考克 / 耶利兹·库万奇 / 卡迪尔·波拉奇 / 扬卡·切夫赫尔 / 法特玛·托普塔斯 / 默特·图拉克
独居的灯塔守护员艾克林突然接到祖父去世的消息,但是他爷爷的遗言是要他去向兄弟和前女友道歉…怀着忐忑的心情,艾克林踏上了一段冒险之旅
电影第七日第八夜
扬·利比切克 / 瓦茨拉夫·巴布卡 / 约瑟夫·贝克 / Karel Belohradský / Bozena Böhmová / 尼娜·蒂维斯科娃 / Josef Elsner / Josef R. Engel / 科维塔·菲亚洛娃 / Ladislav Gzela / Karel Hovorka / 弗拉迪米尔·赫拉巴内克 / 伊日·哈莱克 / Vladimir Jedenáctik
This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script. The director Evald Schorm (1929-1988) was one of the most original members of the Czech "New Wave". During the "normalization" era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the "Na zábradlí" Theater and Laterna Magika.