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电影赤脚士兵的丧钟
夏娃·克尔齐塞夫斯卡 / 弗拉多·米勒 / Ivan Rajniak / Axel Dietrich / 拉多万·卢卡夫斯基 / Pavol Benca / Hans Brückner / Stefan Chmel / Anton Drobný / Pavol Feigler / Emil Garbár / Frantisek Gervai / 雨果·卡明斯基 / Rudolf Kekely
A dramatic story from the end of WW II and a remarkable contemplation of the value of true friendship, meaning and purpose of life or the possibility to be human even in inhumane conditions. In a frosty mountain setting a cruel struggle for life takes place. After a fight, two partisans return to their brigade carrying along a young German soldier as a captive. But suddenly, amidst the hopelessness of barren mountains, all protagonists find themselves in a liminal existencial situation.
电影灰鸽子之歌
Radoslav Bartoník / Vladimir Brecka / 扬·布兹杜赫
由Stanislav Barabas（1924-1994）导演的《灰鸽子之歌》（Piesen o sivom holubovi，1960年）于1961年5月首次公映，开了用意识形态上无可辩驳的主题（例如，斯洛伐克起义）来述说故事的先河。以往故事往往讲的生动，但拍摄手法的创造性仍待提高。《灰鸽子之歌》摒弃了Palo Bielik（第一代电影人中最有创造性的导演）所钟爱的叙事题材。Barabas通常用年轻人来当英雄，然后把更多的注意力放在孩子们的恐惧、游戏和欢乐上，而不是对观众进行再教育。因为即使在战争岁月，孩子们的恐惧、游戏和欢乐也未曾消失过。评论家们关注《灰鸽子之歌》（和同年拍摄完成的由Vsude zijílidé和dir. Jirí Hanibal以及Stepán Skalsky创造的捷克电影《People Live Here Too》共获1961年捷克斯洛伐克评论家大奖），是因为它联系紧密的叙事（6个零散的故事由英雄少年们的事迹串在了一起）和它所认为的孩子受苦难的现实要比所谓的客观历史重构来的有说服力。尽管《灰鸽子之歌》有个悲剧的结局，但评论家们认为从这部电影中能看到希望。