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剧集
时尚世家
2024 / 欧美 / 剧情 / 时尚圈 / 财阀
朗贝尔·维尔森 / 阿蜜拉·卡萨 / 卡洛尔·布盖 / 琪塔·昂罗 / 皮埃尔·德隆尚 / 安托万·赖纳茨 / 安·孔西尼 / 弗洛伦斯·卢瓦雷·卡耶 / 朴智敏 / 柯朗坦·菲拉 / 文森特·科隆布 / 马尔万·廷胡加 / 塞缪尔·博拉夫曼-芒蒂尔 / Sébastien Corona
La Maison will take a behind-the-curtain look at how a family dynasty of an iconic fashion house is thrown into scandal and reinvention by a viral video featuring star designer Vincent LeDu, leaving his family’s legendary haute couture house hanging by a thread. Perle Foster, Vincent’s former muse who is still in his shadow, teams up with next-generation, visionary designer Paloma Castel to save and recreate the century-old Maison LEDU, claiming their rightful place in both the LeDu family and the fashion world.
剧集
婚姻神话第一季
2019 / 法国,美国 / 剧情 / 奥兹 / 女性 / 恐怖片 / 惊魂
玛丽娜·汉斯 / 马修·德米 / 玛丽·德里昂 / Jérémy Gillet / 泽莉·里克森 / 伊夫·雅克 / 让-查理·克里切特 / 朱莉娅·福雷 / 安德里亚·龙卡多 / 范林丹 / Fadily Camara / 弗朗索瓦兹·勒布伦 / Marceau Ebersolt / 凯瑟琳·蒙切特
Desperate to get her family attention, an overworked mother, lie to them about her condition.
剧集
婚姻神话第二季
2021 / 法国 / 剧情
玛丽娜·汉斯 / Minette / 马修·德米 / 泽莉·里克森 / Jérémy Gillet / Luca Terracciano / 范林丹 / 凯瑟琳·蒙切特 / Marie Bouvet / 伊夫·雅克 / Fadily Camara / 安德里亚·龙卡多 / 道恩·福特 / 朱莉娅·福雷
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author TimothyFarrell from Worcester, MA　　Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)　　-from imdb