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电影
女巫1967
1967 / 意大利,法国 / 剧情 / 喜剧 / 爱情
西尔瓦娜·曼加诺 / 安妮·吉拉尔多 / 弗朗西斯科·拉瓦尔 / 马西莫·吉洛蒂 / 维罗尼卡·旺代勒 / 埃尔莎·阿尔巴尼 / 克拉拉·卡拉马伊 / 玛丽卢·托洛 / 诺拉·里奇 / 迪诺·梅莱 / 赫尔穆特·贝格 / 布鲁诺·菲利皮尼 / 莱斯利·弗伦奇 / 阿尔贝托·索尔迪
"The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
电影
卡萨诺瓦
1976 / 意大利 / 剧情 / 爱情 / 传记 / 奇幻
唐纳德·萨瑟兰 / 蒂娜·奥蒙特 / Cicely Browne / 卡门·斯卡尔佩特 / Clara Algranti / Daniela Gatti / 玛格瑞斯·克里蒙地 / 奥林匹娅·卡尔立斯 / Silvana Fusacchia / 切斯蒂·摩根 / Leda Lojodice / Sandra Elaine Allen / Clarissa Mary Roll / 丹尼尔·埃米尔福克
意大利导演费德里克．费里尼的中期经典作《八部半》是其成熟高峰期作品，此后开始走向糜烂而至腐败，偏于肉欲放纵和自我沉溺，像《费里尼之萨蒂尼康》（六九年）和本片，都是糜烂颓废的出色力作。本片反映了十八世纪基督道德不振后的上流腐化放纵，费里尼尽情借题发挥，展现出精英文艺在人欲横流下的腐烂情态。大情人卡萨诺华是在情场屡战屡胜的“性斗士"，不断猎艳，还参加造爱竞赛。但这大情人苦于人人只重他的性爱能力，不重视他经世济民治国的才学。而且女人们对他都“有性无爱"，当他衰老得失去性魅力之后，就只能把一个机械女人当作梦中情人，很可悲可怜。

女巫1967

卡萨诺瓦