搜索「维罗尼卡·旺代勒」- 魔盒影视

下载客户端

搜索「维罗尼卡·旺代勒」，找到 6 部影片

更多精彩内容，请安装客户端 >下载APP查看更多 >

电影
魂断梅耶林（Mayerling）
1968 / 英国 / 爱情片 / 剧情片 / 历史片 / 剧情 / 爱情
奥马尔·沙里夫 / 凯瑟琳·德纳芙 / 詹姆斯·梅森 / 艾娃·加德纳 / 詹姆斯·罗伯逊·贾斯蒂 / 吉内瓦维·佩吉 / 安德丽·帕里西 / 伊凡·德斯尼 / 莫里斯·泰纳克 / 莫妮·达尔梅斯 / 穆斯塔什 / 法比耶娜·达利 / 罗歇·皮戈 / 贝尔纳·拉雅里热
鲁道夫（奥马尔·沙里夫 Omar Sharif 饰）是一位身份尊贵的王子，生活在父亲约瑟夫一世（詹姆斯·梅森 James Mason 饰）独断专横的统治之下，在父亲的逼迫之中，他甚至娶了自己根本不爱，但是门当户对的女人为妻。<br>为了排遣心中的愤懑，鲁道夫微服出访子集市里溜达，就此邂逅了名为玛丽（凯瑟琳·德纳芙 Catherine Deneuve 饰）美丽少女。玛丽的一颦一笑都深深的打动着鲁道夫的心，他第一次体会到爱情的滋味。鲁道夫想尽了方法要迎娶玛丽，可是无济于事。于是，鲁道夫决定和玛丽私奔，两人躲进了位于森林深处的猎人小屋里，他们约定一起度过一个甜蜜的夜晚，然后在第二天的朝阳之中双双殉情。
电影
太空英雌芭芭丽娜（Barbarella）
1968 / 美国 / 喜剧片 / 科幻片 / 动作片 / 喜剧 / 科幻
简·方达 / 约翰·菲利浦·劳 / 安妮塔·帕里博格 / 米罗·奥西 / 马塞尔·马索 / 克洛德·多芬 / 维罗尼卡·旺代勒 / 贾恩卡洛·科贝利 / 塞尔日·马康 / Nino Musco / Franco Gulà / Catherine Chevallier / Marie Therese Chevallier / 翁贝托·迪格拉齐亚
影片是色情与科幻的结合，芭芭丽娜是公元四万年的女詹姆斯·邦德，专门收服太空星系中的妖魔鬼怪。当她被逼降落在一个星球时，她要面对一个同性恋的邪恶皇后、盲眼的英俊天使等等。
电影
铁十字勋章续集
1979 / 西德 / 剧情 / 战争
理查德·伯顿 / 罗伯特·米彻姆 / 罗德·斯泰格尔 / 迈克尔·帕克斯 / 库尔德·于尔根斯 / 赫尔穆特·格里姆 / 克劳斯·洛维奇 / 昆特·迈斯纳 / Werner Pochath / 维罗尼卡·旺代勒 / 霍斯特·扬松 / 约阿希姆.汉森 / 布鲁诺·迪特里希 / 索尼娅·珍妮
描写德国军官积极参与反希特勒的活动, 并且解救美国上校的故事。
电影
铁十字勋章
1977 / 英国,西德 / 剧情 / 战争
詹姆斯·柯本 / 马克西米连·谢尔 / 詹姆斯·梅森 / 大卫·沃纳 / 克劳斯·洛维奇 / 维蒂姆·格洛纳 / 罗格·弗里茨 / Dieter Schidor / Burkhard Driest / Michael Nowka / 维罗尼卡·旺代勒 / 亚瑟·布豪斯 / 森塔·伯格 / 德米特·比滕茨
该片从德军的角度回顾了在1943年东部战场的一段血腥经历，围绕着一个厌战老兵和一个以谋取铁十字勋章作为人生目标的贵族军官展开。两人的几番较量，代表了当时德军中的两种心态，同时也揭示了战争的终极走向…… 1943年，德国战场，德军上尉史特兰斯基刚被提为中队长，他一心想获得德军最高荣誉“铁十字勋章”。上尉想提拔能征善战的史泰纳，可是史泰纳对晋升和荣誉不屑一顾。上尉十分恼火，便将其派往最前线，让史泰纳的部下在混战中互相残杀。史泰纳怒不可遏，冒着敌人的炮火，紧追上尉复仇…… 从人性角度再现血腥战场，在疯狂极端的特殊时刻，人性会展现最美好或最卑劣的一面。德国人也一样，战争带来巨大痛苦，也引发深刻思考。战争是人挑起的，它的残酷和毁灭性，我们没有必要忘记！点评：该片虽然是美国电影大师、“暴力牛仔"山姆-派金法的惟一一部战争片，但他依然能将《碧血黄沙》式的西部情结展现得淋漓尽致。片中的战争场面真实、暴力，且充满了美感。值得一提的是，该片也是去世不久的“银幕硬汉"詹姆斯-科本的代表作之一。那种在极端困难的环境下积极求生的生存意识，足以让观者为其动容。
电影
女巫1967
1967 / 意大利,法国 / 剧情 / 喜剧 / 爱情
西尔瓦娜·曼加诺 / 安妮·吉拉尔多 / 弗朗西斯科·拉瓦尔 / 马西莫·吉洛蒂 / 维罗尼卡·旺代勒 / 埃尔莎·阿尔巴尼 / 克拉拉·卡拉马伊 / 玛丽卢·托洛 / 诺拉·里奇 / 迪诺·梅莱 / 赫尔穆特·贝格 / 布鲁诺·菲利皮尼 / 莱斯利·弗伦奇 / 阿尔贝托·索尔迪
"The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
电影
知己知彼
1965 / 意大利,西德,法国 / 剧情
斯特法尼娅·桑德雷莉 / 马里奥·阿多夫 / 让-克洛德·布里亚利 / 约阿希姆·富克斯贝格 / 尼诺·曼弗雷迪 / 恩里科·玛丽亚·萨莱诺 / 乌戈·托尼亚齐 / 卡琳·多 / 佛朗哥·法布里齐 / 图里·费罗 / 罗伯特·霍夫曼 / 弗兰科·内罗 / 维罗尼卡·旺代勒 / Franca Polesello
imdb Plot summary Born in a small town in the countryside surrounding Pistoia, Adriana is an attractive young girl who counts on using her looks to go places in the entertainment business in Rome. Moving to the capital, she works first of all in a hairdressing salon, then in a small cinema where she manages to get a job working in fancy dress. Meantime, she socializes with young men of the upper middle classes, who take her to parties and out on the town with the sole aim of taking advantage of her. Adriana knows their game, but plays along. In the meantime, she meets an agent called Cianfanna, a modest money-grubber who introduces her to a journalist friend of his so he can write an article on her. Having thus launched her career in advertising, Adriana decides to go home to visit her parents. Once home, however, she is distraught to learn of the death of her sister. Returning to Rome, she takes acting lessons, but during one lesson she suddenly faints: she is pregnant, with no idea of who the father of her child is. The days go by and Adriana tries to forget about her pregnancy, while sleeping with an increasingly long list of lovers. And yet, despite the fact these encounters are often less than enjoyable, at one point she actually falls in love: his name is Antonio and he's a decent young man from a respectable family, but still in love with a former girlfriend he is unable to forget…