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电影
魂断威尼斯（Death in Venice）
1971 / 意大利 / 剧情片 / 剧情
德克·博加德 / 罗慕洛·瓦利 / 马克·伯恩斯 / 诺拉·里奇 / 马里莎·贝伦森 / 凯荷·安德烈 / 伯恩·安德森 / 西尔瓦娜·曼加诺 / 莱斯利·弗伦奇 / 佛朗哥·法布里齐 / 安东尼奥·阿皮切拉 / 塞尔吉奥·加法尼奥利 / 西罗·克里斯托弗莱蒂 / 路易吉·巴塔利亚
1911年，德国作曲家阿森巴赫（德克·博加德饰）怀带丧女之痛来到威尼斯，想藉水城美景舒缓心情，可是一切景致所勾起的不过是更加伤心的回忆，直到在旅馆里邂逅美少年塔奇奥（伯恩·安德森饰），对方宛如希腊雕像般的容颜才令他浑身颤栗，浑然忘我地沉醉在激动的热情中。其后，威尼斯城被瘟疫所笼罩，但官方刻意封锁了消息。阿森巴赫逐渐发现这一惊人的危机时，没像其他人一样慌不择路想尽快逃离，相反为了多看塔奇奥一眼，甘愿染上瘟疫命丧威尼斯。
电影
007之黎明生机
1987 / 英国 / 动作 / 冒险 / 惊悚 / 2021
提摩西·道尔顿 / 玛瑞亚·达波 / 杰罗恩·克拉比 / 乔·唐·巴克 / 约翰·瑞斯-戴维斯 / 阿特·马里克 / 安德雷斯·魏斯涅夫斯基 / 托马斯惠特利 / 戴斯蒙德·莱维林 / 罗伯特·布朗 / 格佛雷·肯 / 沃尔特·戈塔尔 / 卡罗琳·布利斯 / 约翰·特里
东西双方处于针锋相对的奇妙情势。KGB内部有些人为了自己的私利，搞出了一系列的阴谋，首先是科斯柯夫假向西方“投诚”，并道出KGB准备进行一项名为“特务飞龙”的计划，目的是消灭00组的特工，007怀疑其动机，伪装刺杀，并查出科斯柯夫与军火贩子一起用购买军火的货款走私毒品，007得到反政府武装的支持，终于炸毁了毒品，科斯柯夫的计划彻底破产。
电影
女巫1967
1967 / 意大利,法国 / 剧情 / 喜剧 / 爱情
西尔瓦娜·曼加诺 / 安妮·吉拉尔多 / 弗朗西斯科·拉瓦尔 / 马西莫·吉洛蒂 / 维罗尼卡·旺代勒 / 埃尔莎·阿尔巴尼 / 克拉拉·卡拉马伊 / 玛丽卢·托洛 / 诺拉·里奇 / 迪诺·梅莱 / 赫尔穆特·贝格 / 布鲁诺·菲利皮尼 / 莱斯利·弗伦奇 / 阿尔贝托·索尔迪
"The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.