搜索 「赛义夫·阿卜杜勒」,找到 3 部影片
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电影埃及六日
Mahmoud El-Meliguy / Mariam Fakhr Eddine / 赛义夫·阿卜杜勒 / Habiba / Salah Kabil / Salah Mansour / Mohsena Tewfik / Aly El Sherif
One of his most controversial films, THE SPARROW was written by Chahine in collaboration with avant-gardist Lofti el-Kholi. Set during the 1967 Six Day War between Israel and the United Arab Republic this story of familial and national divisions has become one of Chahine's most popular films in festivals and retrospectives. A young policeman's adoptive father occupies a high post in the force, while his biological father is reputed to have been a left-wing activist. Raouf begins to search for those who might have known his real father, while his half-brother, stationed on the Sinai front, prepares for battle. The Sparrow (El ‘Osfour) was banned in May 1973, then received in December of the same year the country’s highest cultural award. More importantly, however, is that starting from The Sparrow (El ‘Osfour), Chahine departed from the conventional mainstream cinema of his time and developed his own individual style, hence emerging as a pioneer in this respect; instead of using a linear plot, he displayed a new liking for fragmented forms, discontinuous narratives, and random-seeming collages of disparate material such as flashbacks, actual events, associations and documentary sequences. The overall result of these shifts was the inception of a new phase in his films which was dedicated to experimentation and innovation.
电影情迷亚历山大
Naglaa Fathy / 阿曼德·赞基 / 法里德·舒基 / Mahmoud El-Meliguy / Ezzat El Alaili / Youssef Wahby / Yehia Chahine / Leila Fawzi / Mohsena Tewfik / Akela Kateb / Zeinab Sedky / 赛义夫·阿卜杜勒 / Gerry Sundquist
埃及导演夏因的“亚历山大三部曲”之一,以二战期间的埃及亚历山大城为背景,人物众多,谋刺丘吉尔的恐怖分子,热爱戏剧的学生,流亡的犹太人等。该片于1979年获柏林银熊奖。夏因在1982年和1990年分别完成了另外两部曲《埃及故事》(tt0084042)和《永恒的亚历山大》( tt0099858)。
电影亚历山大再次和永远
尤斯拉 / 尤瑟夫·夏因 / Hussein Fahmy / Hesham Selim / Taheya Cariocca / Hoda Soltan / Ragaa Hussein / 赛义夫·阿卜杜勒 / Abla Kamel / 陶菲克·萨利赫
This complicated and surreal autobiographical film explores the personal life and fantasies that have shaped the motion pictures of Youssef Chahine. Taking a stand for democracy, Yehia (Chahine’s on-screen alter ego), joins a hunger protest which has rallied together the entire Egyptian film industry. As the strikers mount their demands, the director becomes overwhelmed by his infatuation for Amir, the young actor whose career he launched with the film Alexandria… Why? But this obsession is soon overshadowed by his interest in Nadia, the beautiful ingénue whom he decides to cast in his next feature. The final chapter of Chahine’s Alexandria Trilogy.