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电影
十三罗汉
2007 / 美国 / 动作 / 犯罪 / 惊悚 / 2018 / 欧美
乔治·克鲁尼 / 布拉德·皮特 / 马特·达蒙 / 迈克尔·曼特尔 / 埃利奥特·古尔德 / 雷·昔佛 / 阿尔·帕西诺 / 亚当·拉扎尔-怀特 / 埃迪·杰米森 / 唐·钱德尔 / 秦少波 / 卡西·阿弗莱克 / 斯科特·凯恩 / 伯尼·麦克
人老心不老的鲁本•蒂什科夫（Elliott Gould 饰）拿出全部家当与威利•班克（阿尔•帕西诺 Al Pacino 饰）合伙经营赌场饭店。但他忘了，在拉斯韦加斯这个光怪陆离、骗盗横行的地方，防范之心是最不可或缺的。班克混迹赌城多年，奸诈手段让他在此如鱼得水。他骗尽鲁本的钱财，将赌场据为己有。老鲁本不堪如此沉重的打击，从此一病不起。<br>鲁本的遭遇激怒了他的好友丹尼•奥逊（乔治•克鲁尼 George Clooney 饰），在对威利劝说无效的情况下，他重新集结了包括罗斯蒂•雷恩（布莱德•彼特 Brad Pitt 饰）、莱纳斯•凯德维尔（马特•戴蒙 Matt Damon 饰）在内的十三位罗汉，准备对班克赌场进行入侵。7月3日午夜，班克赌场开业，这注定是一个不平凡的夜晚……
电影
纽约夜月情
1993 / 美国 / 爱情 / 喜剧
马修·布罗德里克 / 安娜贝拉·西奥拉 / 凯文·安德森 / 珍妮·特里普尔霍恩 / 朱丝婷·贝特曼 / 米歇尔·赫斯特 / 丹娜·维勒尔-尼科尔森 / 布鲁克·史密斯 / 迈克尔·曼特尔 / 蒂姆·金尼 / 露易丝·拉塞尔 / 保罗·吉尔福伊尔 / 比蒂·施拉姆 / 比利·坎贝尔
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
电影
激情之鱼
1992 / 美国 / 剧情
玛丽·麦克唐纳 / 安吉拉·贝塞特 / Lenore Banks / Will Mahoney / Nelle Stokes / Brett Ardoin / 迈克尔·曼特尔 / Daniel Dupont / Chuck Cain / Shana Ledet Qualls / Paula Lafleur / 玛吉·伦齐 / 玛丽安妮·穆勒雷尔 / Victoria Edwards
女演员梅－艾丽斯因车祸下身瘫痪，黑人女子钱泰莱成为她的看护，一开始她们互相提防，关系很紧张，但后来慢慢成为了朋友。梅－艾丽斯在钱泰莱的鼓励下戒酒戒毒，钱泰莱也开始了一段恋爱。她们互相帮忙并开始反省自己的生活，决心告别今昔，开始一种有意义的人生。<br>人的期望与成就之间往往存在着巨大差异，而幻想破灭后人必须学会面对困境，或者说一旦人们不能实现他们的期望，生活变得反常，令人疲倦仍然应执着追求生活的意义。影片以平静而富于思考的基调重探讨了这个主题。但作为一部虚构的故事，本片的情节发展显得杂乱散漫。
电影
玫瑰花床
1996 / 美国 / 剧情 / 爱情
克里斯蒂安·史莱特 / 玛丽·斯图尔特·马斯特森 / 帕梅拉·阿德龙 / 乔什·布洛林 / 布赖恩·塔伦蒂诺 / 德布拉·蒙克 / 玛丽·爱丽丝 / 肯内斯·库兰汉姆 / 艾利·沃克 / 安妮·皮托尼亚克 / 迈克尔·黑利 / 吉娜·托瑞斯 / 尼克·泰特 / 迈克尔·曼特尔
丽萨（玛丽·斯图尔特·马斯特森 Mary Stuart Masterson 饰）是一个典型的事业型女强人，童年时代的悲惨经历让她紧紧的封闭起了内心的大门，尽管这些年来向她示爱的优秀男子络绎不绝，但丽萨始终不愿意敞开心扉接纳他们，而是将自己全部的精力和热情都投入到了工作之中。<br>可是，丽萨也有感到非常孤独的时候，每当这时，她便会一个人坐在窗边，静静的垂泪了。某天，这一幕恰巧被一个名叫路易斯（克里斯汀·史莱特 Christian Slater 饰）的男人看见了，丽萨的泪水深深的打动了路易斯的心。路易斯的妻子早年间去世了，他只身一人经营着一家花店。路易斯决定用鲜花让丽萨开心起来。
电影
世上最快的印第安摩托
2005 / 新西兰,日本,美国 / 剧情 / 传记 / 运动
安东尼·霍普金斯 / 艾伦·墨菲 / 蒂姆·夏伯特 / 安妮·怀特尔 / 格雷格·约翰逊 / 安东尼·斯塔尔 / 克里格·霍尔 / 艾莉森·布鲁斯 / 卫斯理·道德尔 / 托德·艾默森 / 丹尼尔·兴 / 坎贝尔·库利 / 詹姆斯·盖林 / 莱瑟姆·盖恩斯
电影改编自世界著名摩托车手伯特·孟若的生平，真实而又生动的再现了一代传奇车手跌宕起伏的一生。故事开始于1899年，孟若（安东尼·霍普金斯 Anthony Hopkins 饰）降生到了这个世界上，从小体弱多病的他甚至被医生下达过“死亡通知书”，但幸运的是，孟若还是顺利的长大了。<br>1915年，孟若有了自己的第一辆摩托车，从此开启了与风竞速的生涯，直到七十二岁那一年，孟若依然没有放弃自己曾经的梦想。他改装了二十年代购入的印第安牌侦查摩托车，从新西兰骑往美国。一路上，孟若结识了易装癖者蒂娜（克里斯·威廉斯 Chris Williams 饰）、寡妇艾达（戴安·拉德 Diane Ladd 饰）、销售员佛兰多（保罗·罗德里奇斯 Paul Rodriguez 饰）等一干有趣的朋友们，在他们的帮助和鼓励下最终创下了新的世界纪录。