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电影
暴力本性
2024 / 加拿大 / 剧情 / 惊悚 / 恐怖 / 恶灵 / 杀人事件
瑞恩·巴雷特 / 安德丽娅·帕夫洛维奇 / 卡梅隆·勒沃 / 里斯·普雷斯利 / 利亚姆·利昂纳 / 夏洛特·克里根 / 莉亚·罗斯·塞巴斯蒂安尼斯 / 萨姆·鲁尔斯顿 / 亚历山大·奥利弗 / 蒂莫西·保罗·麦卡锡 / 劳伦-玛丽·泰勒
一个可怕的恶灵被意外唤醒，它不断地飘荡在这片森林之中，将死亡带给了它路途上所遇见的每一个人，它的心中只有一件事：夺回属于它自己的东西。
电影
我能有个见证人吗
2024 / 加拿大 / 科幻片 / 科幻
凯拉·张 / 吴珊卓 / 里斯·普雷斯利 / 埃尔米拉·巴沙什 / 乔尔·欧莱特 / 扎·恩克维塔 / 沙兹·法尔 / 凯西·肯尼斯·赖特 / 森田友希 / 本·伊曼纽尔 / 派崔克·盖勒 / 奈卡·图桑 / 安德烈·安东尼 / 多米尼克·卢基·马泰尔
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.
电影
自驾者
2024 / 加拿大 / 恐怖片 / 惊悚
Christian Aldo / Nathanael Chadwick / Catt Filippov / Welchner Lauren / 里斯·普雷斯利
At the end of his rope, a newly redundant office drone (Nathanael Chadwick, THE LAST PORNO SHOW) takes a rideshare driver job, but the gig isn’t making ends meet, and he’s missing bill payments, avoiding calls from his landlord, and not spending time with his partner and new baby. Days of frustrating bookings, from bickering couples to puking party girls, reach a boiling point. When a slick passenger tells him about a new, well-paying driving gig at a company called Tonomo, our driver makes the call and starts immediately to cash in. This new job comes with rules, however—obey the app’s instructions, don’t talk to passengers, and finish the ride, or he’ll lose all his money. He soon learns that these are hard and fast rules and that he’s at the mercy of the app and its mysterious, often psycho customers, both of which will put him in situations that test his conscience and morals. – Carolyn Mauricette