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电影
克里西区的静静日子
1990 / 法国,意大利,德国 / 剧情
安德鲁·麦卡锡 / 奈杰尔·哈弗斯 / 芭芭拉·德·罗西 / 斯蒂芬妮·科塔 / 伊索尔德·巴尔特 / 马里奥·阿多夫 / 安娜·加列娜 / Jacques Brunet / Beatrice Kruger / 伊娃·格里茂迪 / 斯特凡·奥德朗 / 尤尔根·马什 / 多米尼克·扎尔迪 / 托马斯·夏布洛尔
The American writer Joe arrives in Paris to research and write about Proust. He meets the Polish Karl and they become friends and costumers of brothels and restaurants. When the fifteen year-old Colette arrives in Paris, they both fall in love with her. Expatriate Henry Miller indulges in a variety of sexual escapades while struggling to establish himself as a serious writer in Paris. Very nice portrait of the thirties..., 23 April 2002 Author: Oreste (oreste.sl@sympatico.ca) from Montréal, Québec Different from many other Chabrol movies that follow "Hitchock-like" patterns, _Jours tranquilles Ã Clichy_ relates the days a young American writer (Henry Miller) spent in the Gay Paris of the early thirties, with his polish-descent friend and their young Colette, a 14 years old-ish girl with whom they both fall in love. The story in itself doesn't send us from a surprising even to another but slowly lifts the curtain over the prostitution, pornography, libertinage and partying that seemed to oppose Paris so much to New York, in the eyes of Miller, searching for a change from the dull like he lead before. The story is a quest for Proust and his lost time, a quest for a new life, for thrills, for truth in forgetting oneself...
电影
摧花手（Bird With The Glass Feathers）
1970 / 意大利 / 恐怖片 / 悬疑片 / 惊悚片 / 悬疑 / 惊悚
托尼·穆萨蒂 / 苏茜·肯道尔 / 恩里科·玛丽亚·萨莱诺 / 埃娃·伦齐 / Umberto Raho / 雷纳托·罗曼诺 / Giuseppe Castellano / 马里奥·阿多夫 / Pino Patti / Gildo Di Marco / 德罗热达·铎洛斯 / Omar Bonaro / Fulvio Mingozzi / 维尔纳·彼得斯
美国游客山姆隔着美术馆的玻璃窗，瞥见一宗企图谋杀，他的及时出现让凶手逃走了，获救的女子芳名莫尼卡。不久，山姆仿佛受了蛊惑似的对这宗谋杀着了迷，他决定追踪凶手的下落，这自然让他的女友朱丽娅很不快；而同时他和女友也开始接到威胁电话……
电影
金玫瑰洞Fantaghiro
1991 / 意大利 / 爱情 / 奇幻
亚历桑德拉·马提尼斯 / 马里奥·阿多夫 / 吉姆·罗斯·斯图尔特 / 安吉拉·莫利纳 / 让-皮埃尔·卡塞尔 / Luciano Manzalini / Eraldo Turra / Stefano Davanzati / 托马斯·瓦利克 / Ornella Marcucci / 卡特琳娜·布罗佐娃 / 扬·克劳斯 / Martin Faltyn / 菲利普·伦茨
公主范塔戈萝（亚历桑德拉·马提尼斯 Alessandra Martines 饰）倔强而美丽，相较于她的两个姐姐，范塔戈萝显得无所畏惧又坚强好胜。她跟随白衣女巫（安吉拉·摩琳娜 Ángela Molina 饰）学习剑术，希望像男人一样战斗，可以有朝一日保卫国家，为人民带来和平。然而她的父王（马里奥·阿多夫 Mario Adorf 饰）却一直希望能由一个王子来继承王位，怎奈王后生完范塔戈萝后就死去了。<br>在学剑的魔法丛林，范塔戈萝邂逅了敌国的国王罗莫尔多（吉姆·罗斯·斯图尔特 Kim Rossi Stuart 饰）。罗莫尔多被这位神秘的女子迷住了，他深深地爱上了范塔戈萝的双眼。然而两国间旷日持久的战争还是爆发了，为了保卫她的国家和人民，范塔戈萝身披战袍女扮男装踏上了征程。就在兵戎相见的一刻，罗莫尔多认出了这双深恋已久的双眼。
电影
丧失名誉的卡塔琳娜·布鲁姆
1975 / 西德 / 剧情 / 犯罪
安吉拉·温科勒 / 马里奥·阿多夫 / 迪特尔·莱瑟 / 尤尔根·普洛斯诺 / 海因茨·本奈特 / 汉娜洛蕾·赫格 / 罗尔夫·贝克尔 / Harald Kuhlmann / 赫伯特·福克斯 / 雷吉纳·鲁茨 / Werner Eichhorn / 卡尔·海因茨·福斯格劳 / Angelika Hillebrecht / Horatius Häberle
年轻美丽的西德女孩卡塔琳娜•布鲁姆（Angela Winkler 饰）有段失败的婚姻，她偶然在亲戚家的晚会上邂逅英军男子路德维希•戈顿（Jürgen Prochnow 饰），两人一见钟情，并共度浪漫的一夜。然第二天一早，军警破门而入，四处搜查，戈顿已不见踪影。原来戈顿系警方通缉的抢劫犯，卡塔琳娜被作为同犯逮捕。<br>警方的搜捕轰动一时，《图片报》记者托特盖斯（Dieter Laser 饰）四处打探消息，搜集卡塔琳娜的隐私。他将搜集到的素材提供给警长拜茨迈纳（Mario Adorf 饰），警长再将这些作为证据，对卡塔琳娜进行严刑拷问。原本生活平静的卡塔琳娜一瞬间跌至谷底……<br>本片改编德国著名作家，诺贝尔文学奖获得者海因里希•伯尔的同名小说。
电影
阶级关系
1984 / 西德,法国 / 剧情
Christian Heinisch / Nazzareno Bianconi / 马里奥·阿多夫 / 劳拉·贝蒂 / 哈伦·法罗基 / Manfred Blank / Reinald Schnell / Anna Schnell / Klaus Traube / Hermann Hartmann / Gérard Samaan / Jean-François Quinque / Willi Vöbel / Tilman Heinisch
改编自卡夫卡未完成的长篇小说《美国》，但其关注的并非真实的美国，更像是没有详细年代的关于美国的寓言。卡尔•罗斯曼由于丑闻而接受其舅舅的邀请搬去美国，然而他无法摆脱欧洲大陆旧式习惯，更糟的是，欧洲的阶级结构无法让他通过自己的双手谋生。这一电影版关注资本主义社会创造的残酷而变幻莫测的阶级关系。同时忠于原著而未添加影片的结局。施特劳布夫妇风格的一贯操作与卡夫卡氛围的完美结合：中景固定机位，面无表情的演员，人物肢体和语言刻意僵硬，强调侧面特写，镜头推进及平移刻意突兀。由此我们可以寻求到改编卡夫卡作品的带实验性的可能。
电影
最后一人
2014 / 德国 / 剧情
马里奥·阿多夫 / Katharina Derr
马库斯（马里奥·阿多夫 Mario Adorf 饰）是特莱西恩施塔特和奥斯维辛集中营的幸存者，战争结束之后，幸运的捡回了一条命的马库斯决定忘记自己曾经遭受的非人的一切，来到新的城市，开始新的生活。<br>时间静静的流淌着，年事已高的马库斯感到自己时日无多，他想要在去世之后能够安葬在犹太墓地里，和自己的犹太同胞们安葬在一起。然而，马库斯被告知，若想要购买犹太墓地，必须要有相应的文件来证明他的犹太身份，而要取得这些文件，他必须返回故乡匈牙利，这也就意味着，马库斯要面对那些他曾经试图忘却的过往。在德籍土耳其女孩古尔（Katharina Derr 饰）的陪同下，马库斯上路了。
电影
恶魔降临的夜晚
1957 / 西德 / 剧情 / 惊悚 / 犯罪
克劳斯·霍尔姆 / 马里奥·阿多夫 / 汉斯·海西默 / 彼得·卡斯滕
二战期间，一个连环杀手如鬼影般笼罩着德国汉堡，虽然罪行累累，警方却两年来拿他束手无策。一位警探决心重新调查这桩棘手的案件，SS起初还支持他的工作，不日就把这个案子又压了下来，而随后，他企图阻止一起明显不公的审判，拒绝执行命令并因此受到上级处罚，被送往前线。
电影
铁皮鼓
1979 / 西德,波兰,法国,南斯拉夫 / 剧情 / 历史 / 战争
马里奥·阿多夫 / 安吉拉·温科勒 / 大卫·本奈特 / 卡特琳娜·塔巴赫 / 达尼尔·奥勒布里斯基 / 蒂娜·恩格尔 / 贝尔塔·德鲁兹 / Roland Teubner / Tadeusz Kunikowski / 安德烈亚·费雷奥尔 / 海因茨·本奈特 / 伊尔莎·帕日 / Werner Rehm / 凯特·耶尼克
奥斯卡（大卫·本奈特 David Bennent 饰）的家庭有些荒诞。他的母亲和自己的表弟相恋，由于近亲不能结婚，所以被迫嫁给了一位商人。奥斯卡是谁的孩子只有他母亲知道。在他三岁生日那天，母亲送了他一面铁皮鼓。奥斯卡十分喜欢，整天挂在脖子上敲。<br>一天，奥斯卡躲到桌子底下玩的时候发现了母亲与舅舅的秘密，他认为成人世界充满了欺骗，于是决定不再长大。当奥斯卡从楼上跳下时，奇迹发生了，他从此不再长高，身高永远只有三岁的水平！<br>奥斯卡还意外获得了一种神秘的能力――高分贝的尖叫。当看到母亲与舅舅幽会时，他会爬上钟楼，用尖叫震碎所有玻璃；当老师责骂他时，他的尖叫震坏了老师的眼镜。奥斯卡维持着三岁的身高水平慢慢长大。
电影
知己知彼
1965 / 意大利,西德,法国 / 剧情
斯特法尼娅·桑德雷莉 / 马里奥·阿多夫 / 让-克洛德·布里亚利 / 约阿希姆·富克斯贝格 / 尼诺·曼弗雷迪 / 恩里科·玛丽亚·萨莱诺 / 乌戈·托尼亚齐 / 卡琳·多 / 佛朗哥·法布里齐 / 图里·费罗 / 罗伯特·霍夫曼 / 弗兰科·内罗 / 维罗尼卡·旺代勒 / Franca Polesello
imdb Plot summary Born in a small town in the countryside surrounding Pistoia, Adriana is an attractive young girl who counts on using her looks to go places in the entertainment business in Rome. Moving to the capital, she works first of all in a hairdressing salon, then in a small cinema where she manages to get a job working in fancy dress. Meantime, she socializes with young men of the upper middle classes, who take her to parties and out on the town with the sole aim of taking advantage of her. Adriana knows their game, but plays along. In the meantime, she meets an agent called Cianfanna, a modest money-grubber who introduces her to a journalist friend of his so he can write an article on her. Having thus launched her career in advertising, Adriana decides to go home to visit her parents. Once home, however, she is distraught to learn of the death of her sister. Returning to Rome, she takes acting lessons, but during one lesson she suddenly faints: she is pregnant, with no idea of who the father of her child is. The days go by and Adriana tries to forget about her pregnancy, while sleeping with an increasingly long list of lovers. And yet, despite the fact these encounters are often less than enjoyable, at one point she actually falls in love: his name is Antonio and he's a decent young man from a respectable family, but still in love with a former girlfriend he is unable to forget…
电影
米兰九口径
1972 / 意大利 / 动作 / 犯罪
加斯通·莫辛 / 芭芭拉·布薛特 / 马里奥·阿多夫
Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... "Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.