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电影
假人
1980 / 波兰 / 科幻
马雷克·瓦尔切夫斯基 / 克里斯提娜·杨达 / Joanna Zólkowska
In this futuristic sci-fi film, based on the legends of the Golem, insane scientists have invented technology that give them total control over the half-human, half-android population of Earth. Trouble ensues when one of the creatures begins showing independent will. He must be destroyed lest he influence the rest. They pursue him, but somehow he continues to elude the evil doctors. ~ Sandra Brennan, All Movie Guide
电影
铁皮鼓
1979 / 西德,波兰,法国,南斯拉夫 / 剧情 / 历史 / 战争
马里奥·阿多夫 / 安吉拉·温科勒 / 大卫·本奈特 / 卡特琳娜·塔巴赫 / 达尼尔·奥勒布里斯基 / 蒂娜·恩格尔 / 贝尔塔·德鲁兹 / Roland Teubner / Tadeusz Kunikowski / 安德烈亚·费雷奥尔 / 海因茨·本奈特 / 伊尔莎·帕日 / Werner Rehm / 凯特·耶尼克
奥斯卡（大卫·本奈特 David Bennent 饰）的家庭有些荒诞。他的母亲和自己的表弟相恋，由于近亲不能结婚，所以被迫嫁给了一位商人。奥斯卡是谁的孩子只有他母亲知道。在他三岁生日那天，母亲送了他一面铁皮鼓。奥斯卡十分喜欢，整天挂在脖子上敲。<br>一天，奥斯卡躲到桌子底下玩的时候发现了母亲与舅舅的秘密，他认为成人世界充满了欺骗，于是决定不再长大。当奥斯卡从楼上跳下时，奇迹发生了，他从此不再长高，身高永远只有三岁的水平！<br>奥斯卡还意外获得了一种神秘的能力――高分贝的尖叫。当看到母亲与舅舅幽会时，他会爬上钟楼，用尖叫震碎所有玻璃；当老师责骂他时，他的尖叫震坏了老师的眼镜。奥斯卡维持着三岁的身高水平慢慢长大。
电影
等待方舟
1985 / 波兰 / 剧情 / 科幻 / 悬疑
耶日·斯图尔 / 克里斯提娜·杨达 / 卡里娜·谢鲁斯克 / 马里乌什·德莫霍夫斯基 / 马雷克·瓦尔切夫斯基 / 扬·诺维茨基 / 亨里克·比斯塔 / 莱昂·涅姆奇克 / 克兹佐夫·马扎克 / 斯坦尼斯瓦夫·伊加尔
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.