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搜索 「Francisco Barreiro」,找到 4 部影片

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  • 爱她的枪电影

    爱她的枪

    2014 / 美国 / 剧情

    翠斯提·凯莉·邓恩 / Francisco Barreiro / 阿什利·斯皮尔斯 / 希瑟·卡夫卡 / Josephine Decker

    爱她的枪是关于一个年轻的女人谁出逃暴力在纽约的悠闲环境在得克萨斯州中部的一个浪漫的悲剧。有一次,她落户到奥斯汀,她陷入局部枪支文化和她的一些同样的忧虑回来困扰着她。<br>(有一天绿豆自杀从5楼跳下来,流了很多血,变成了红豆;一直流脓,又变成了黄豆;伤口结了疤,最后成了黑豆)

  • 恶夜食人族电影

    恶夜食人族

    2010 / 欧美 / 惊悚 / 剧情 / 恐怖 / 2011

    鲍琳娜·盖坦 / 丹尼尔·希梅内斯·卡乔 / 阿兰·夏维兹 / Francisco Barreiro / Adrián Aguirre / Miriam Balderas / 卡门·比亚托 / 胡安·卡洛斯·科隆博 / Jorge Zárate

    身为食人族的后裔,必须沿袭食人传统,进行惨绝人寰的血腥仪式,但带领家人猎食的爸爸忽然去世,留下三个孩子一个妈,这场狩猎将如何继续?谁将成为人肉猎捕的对象?巨大的饥饿感在体内转化成邪恶欲望,一旦爆发,后果将无法设想。最饿,成为罪恶。挑战食物链禁忌最底线,下一顿,谁将会是‘同桌’共享餐点的贵宾?

  • 恶魔降临电影

    恶魔降临

    2012 / 墨西哥 / 惊悚

    Francisco Barreiro / Laura Caro / Alan Martinez / Michele Garcia / David Arturo Cabezud

    A couple is relieved when their children return after disappearing near some mysterious caves while on vacation in Tijuana — but it soon becomes clear that a terrible change has taken place within them.

  • 虚空北境电影

    虚空北境

    2022 / 墨西哥 / 犯罪

    梅拉·埃莫西约 / 德洛丽丝·赫雷迪亚 / 劳尔·布里奥内斯 / Francisco Barreiro / 丹尼尔·加西亚 / Gerardo Trejoluna / Paloma Petra / Yahir Alday

    When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony. With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.

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