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剧集
校园时代第一季
2019 / 欧美 / 剧情 / 青春 / 喜剧 / 校园喜剧 / 轻松搞笑
蒂姆·麦道斯 / 布莱恩·考伦 / 阿曼达·米夏卡 / 布瑞特·迪尔
ABC喜剧《格尔伯格一家 The Goldbergs》曾经在16年开发衍生剧但没获预订，而电视网在美国时间1月24日放出拍好的试映集后（S05E00 「1990 Something」那集），倒是因为反应良好令ABC决定改变主意预订该衍生剧，现定于19年1月9日首播，由《格尔伯格一家》前导。暂定13集的《校园时代 Schooled》定于90年代，主角包括Glascott校长﹑Mellor教练及Lainey Lewis（Tim Meadows﹑Bryan Callen及AJ Michalka饰演），他们虽然有怪癖﹑个人生活有点疯狂，但仍然是学生们心目中的英雄。Brett Dier饰演C.B.，此角色是改编自母剧主创Adam F. Goldberg的老师兼朋友，C.B.是名年轻﹑活跃的老师，在课堂上以滑稽的方式与学生互动，他亦是菜鸟老师Lainey Lewis的朋友/对手。衍生剧原构念是复制《格尔伯格一家》的家庭喜剧模式，后来改为注重在校园喜剧这方向，新增了母剧的Lainey Lewis一角。
电影
双重曝光
2024 / 美国 / 剧情片
亚历山大·卡尔弗特 / 凯丽‧考恩 / 卡云·金 / 西蒙·金 / 克里斯蒂安·武尼波拉 / 克里斯托弗·马利基 / 萨拉·加西亚 / 安妮德赛尔沃 / Chris Devlin / Drea Garcia / Jermain Hollman / 埃迪·佩雷斯
The film follows a struggling artist grappling with profound guilt stemming from a past love. Cowan portrays Sara, a charismatic and hopeful young woman who’s just starting out in a modeling career. As time goes on, she gets pressured into a toxic lifestyle and exploited by those around her, seeing her journey get ever darker as she struggles with addiction, low self-esteem, dark thoughts and resentment over abuse she’s been subjected to.
电影
为老婆找个男人
2009 / 美国 / 喜剧 / 喜剧片
碧悠·菲利浦斯 / 帕特里克·沃伯顿 / 丹尼·马斯特森 / 山姆·莱文
The best part of any marriage is consummating it. However after 3 months of a sexless marriage Dan, in a moment of weakness, finds himself in the throws of casual sex with another woman. Dan decides the only way to morally rectify this is of course to get his wife to cheat on him and thus he sets out to find the right man to put the hurt on his old lady.
电影
阿诺德·勋伯格电影配乐导论
1973 / 西德 / 短片
Günther Peter Straschek / Danièle Huillet / Peter Nestler
“What makes Einleitung, in the words of its authors, a ‘film of agitation’, is perhaps the order in which it exposes things, the time it takes to restitute these images for what they are: images taken from the point of view of U.S. power, taken on the other side. This consists in cleansing the images of any sense of déjà vu, making them produce (sweat out, reveal, chase) the power which willed them into being and which wants us not even to find them surprising. From that moment, the horror is no longer the eternal return of the same in the guise of the same old thing (retro style) but the intolerable present (Holger Meins, 1975).” Serge Daney