搜索 「Jürgen Müller」,找到 3 部影片
更多精彩内容,请安装客户端 >下载APP查看更多 >
纪录片超级制造业
Mark Rossman
本片聚焦于世界一流的制造工厂,从超级重型机械到豪华高端汽车,我们将看到这些不同寻常的产品的整个制造过程,每一个环节都令人大开眼界。除了非凡的设计和开发,定制组件的精确校准,以及成品的严格质控等流程环节外,我们还将看到,在大型自动化制造业中人所扮演的关键角色,正是完美规划的工作流程使这一切成为可能。分集内容:法国图卢兹空客A350;中国三一重机新型挖掘机;美国皮尔斯消防车;意大利倍耐力轮胎;比利时沃尔沃卡车;德国保时捷SUV。 第1集 空客(Airbus: The A 350)| 编导:Marvin Entholt 第2集 挖掘机(Sany: Excavator Factory)| 编导:Jürgen Müller 第3集 消防车(Pierce Manufacturing: Fire Trucks)| 编导:Matthias Ilnicki 第4集 轮胎(Pirelli: Tyre Manufacturer)| 编导:Ursula Hochreiter 第5集 卡车(Volvo: Truck Manufacturer)| 编导:Daniel Koschera 第6集 保时捷(Porsche: Car Manufacturer)| 编导:Nik Winter 解说:Mark Rossman 制作:Maximus Film GmbH
电影
土地与自由
伊恩·哈特 / 罗塞娜·派斯特 / 伊西亚尔·博利亚因 / 汤姆·吉尔罗伊 / Marc Martínez / 弗雷德里克·皮耶罗 / Andrés Aladren / Sergi Calleja / Raffaele Cantatore / 帕斯卡·德莫隆 / 保罗·拉弗蒂 / Josep Magem / 伊恩·麦卡锡 / Jürgen Müller
1939年,失业的英国青年大卫,如同许多来自世界各地的社会主义青年,一起加入一国际组织游击队,为争取民主自由而投入西班牙内战,对抗佛朗哥的独裁暴政。大卫因负伤来到巴塞隆纳,战时血泊中悲惨呼喊的声音,成了他挥之不去的恶梦呓语。他发现自己摇摆于对社会主义的忠诚与新认识的爱人之间,心中的改革梦想却不因远离战场而稍减,最后选择回到前线战友身旁…… 本片曾获96年坎城影展金棕榈奖提名、法国凯萨奖最佳外语片、欧洲影展最佳影片。
电影颜色
Marco Leibnitz / Ingo Heise / Michael Kausch / Olaf Krätke / Jürgen Heimüller / Paul Dorsch
Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space". brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'