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剧集重返天堂岛 第二季
安娜·萨姆森 / Lloyd Griffith / Tai Hara / 凯瑟琳·麦克克莱门茨 / Celia Ireland / 安德里亚·德梅特里亚德斯 / Aaron L. McGrath / 丹妮尔·考麦克 / Meyne Wyatt / Roz Hammond / 贾丝婷·克拉克 / Michelle Lim Davidson / 格雷格·斯通 / Zoe Carides
Series two will reunite us with Detective Sergeant Mackenzie ‘Mack’ Clarke (Anna Samson), who’s longing to get back to the UK and the life she’s always craved. But for now she’s stuck in Dolphin Cove, dodging her ex-fiancée Glenn’s (Tai Hara) upcoming wedding after overhearing his unexpected declaration of love in the series one finale – a confession that she can’t unhear. Luckily for Mack, her compulsion to solve impossible cases serves as a great distraction, and there’s no shortage of murders to investigate. From the literary world to state-of-the-art shark labs, dating apps and rock concerts, Mack and her team face challenging mysteries with their unique blend of humour and tenacity. But Mack’s biggest challenge of all? Finding a way to exist in Dolphin Cove as the ultimate outsider.
剧集热带情绪 第二季
托马斯·简 / Nicole Chamoun / 津兹·奥克尼奥 / 西蒙·林登 / 拉达·米切尔 / Ursula Yovich / Miah Madden / Ethan Lwin / Georgina Naidu / 安杰拉·庞奇·麦格雷戈 / 布雷特·塔克 / 罗伯特·马莫内 / Di Adams / Meyne Wyatt
Six months on, Ted (Jane) and Amanda (Chamoun) investigate a bizarre local murder and an exotic drug ring, whilst Amanda tangles with an old enemy and a new love, and Ted’s past stalks him and his family to Crimson Lake – with deadly consequences.
电影偷孩恶灵
贝拉·希思科特 / 托比·莱昂纳德·摩尔 / 塔拉·莫里斯 / Clarence Ryan / SHARI SEBBENS / MEYNE WYATT / TESSA ROSE
A young Aboriginal couple bring home their second baby. What should be a joyous time takes a sinister turn as the mother starts seeing a malevolent spirit she is convinced is trying to take her baby. Adapted from his award-winning short and made with the producers of The Babadook and Talk to Me, Jon Bell’s debut feature draws from Indigenous lore for a thematically rich supernatural tale that quickly establishes the lurking menace of a child-stealing spirit. Its simmering suspense empathetically builds around the fragile psychology of a new mother, blurring the lines between exhaustion, paranoia, and postpartum depression. In exacerbating her isolation and hopelessness, Bell shrewdly accentuates traditional tools of oppression to reveal a darker allusion to Australia’s stolen generations — the tens of thousands of First Nations children forcibly removed from their families through the government’s assimilation policies — which the filmmaker calls a “massive wound in the psyche of Australia.” The Moogai bears its terrifying resonance out of sublimated trauma.—JN 源自:https://festival.sundance.org/program/film/6569ff27fac9f446d2c03b90