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电影异度前任
康斯坦丁·贝洛沙普卡 / Vera / Panfilova / Sergey / Dvoynikov / Ekaterina / Shumakova / Elena / Morozova / 弗拉基米尔·谢列兹尼奥夫
这是一个关于社交网络和即时通讯如何改变现代人生活的故事。几年前，一个16岁的少年在群聊里晒出了女友的照片，想向朋友们炫耀。如今，他拥有了幸福的成人生活：工作、朋友，还有即将成为他妻子的女友卡佳。但互联网却让他回忆起青涩的爱情……（展开全部）
电影死刑
Niko / Tavadze / 叶甫盖尼·特卡丘克 / Daniil / Spivakovskiy / 阿格拉娅·塔拉索娃 / Yulia / Snigir / 伊戈尔·萨沃金 / 阿格里皮娜·史蒂科洛娃 / Dmitriy / Gizbrekht / 维柯托里娅·托尔斯托加诺娃 / Evgeniy
Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...