'%3e%3cpath%20fill-rule='evenodd'%20clip-rule='evenodd'%20d='M12%205.54358C14.7301%205.54358%2017.0344%207.36702%2017.7613%209.86248C19.6535%2010.5747%2021%2012.4019%2021%2014.5436C21%2017.305%2018.7614%2019.5436%2016%2019.5436H7C4.79086%2019.5436%203%2017.7527%203%2015.5436C3%2013.6789%204.27588%2012.1123%206.00225%2011.669L6%2011.5436C6%208.22987%208.68629%205.54358%2012%205.54358Z'%20stroke='%23333333'%20stroke-opacity='0.9'%20style='stroke:%23333333;stroke-opacity:0.9;'%20stroke-width='1.5'%20stroke-linejoin='round'/%3e%3cpath%20d='M11.75%209.54358C12.1642%209.54358%2012.5%209.87937%2012.5%2010.2936V14.0436H14.25C14.6642%2014.0436%2015%2014.3794%2015%2014.7936C15%2015.2078%2014.6642%2015.5436%2014.25%2015.5436H11.75C11.3358%2015.5436%2011%2015.2078%2011%2014.7936V10.2936C11%209.87937%2011.3358%209.54358%2011.75%209.54358Z'%20fill='%23333333'%20fill-opacity='0.9'%20style='fill:%23333333;fill-opacity:0.9;'/%3e%3c/g%3e%3cdefs%3e%3cclipPath%20id='clip0_4593_22613'%3e%3crect%20width='24'%20height='24'%20fill='%23333333'%20style='fill:%23333333;fill-opacity:1;'%20transform='translate(0%200.543579)'/%3e%3c/clipPath%3e%3c/defs%3e%3c/svg%3e)
搜索 「Plasberg」，找到 4 部影片
更多精彩内容，请安装客户端 >下载APP查看更多 >电影
喜羊羊与灰太狼之守护
祖晴 / 张琳 / 梁颖 / 邓玉婷 / 刘红韵 / 高全胜 / 赵娜 / 李团 / 袁莺丹 / 白文显 / 黄伟明
一种神奇宝石维持着世界的稳定和平，当一股神秘力量正蠢蠢欲动时，危机四处蔓延。众羊狼与新伙伴再次踏上守护世界的征途，争分夺秒与神秘势力的阴谋赛跑，并在一次次的冒险与闯关中共同成长，最终明白了守护的意义。
动漫队友太弱所以贯彻辅助的宫廷魔法师惨遭流放目标却最强
梅田修一朗 / 久保由利香 / 田泽茉纯 / 水中雅章 / 绿川光 / 阿部敦 / 内田直哉 / 石田彰 / 丹下樱 / 日笠阳子 / 谷山纪章 / 坂田将吾
突如其来的“驱逐宣告”让命运的齿轮再次开始转动。在幕后支持王太子雷古勒斯·加尔达纳的宫廷魔法师亚历克·尤格雷特。为了保护过于弱小的雷古勒斯，本应专注于“辅助魔法”的他，却因突如其来的驱逐宣告而失去了工作。出现在亚历克面前的，是曾在魔法学院时代被誉为“传说”的队伍“Lasting Period”中并肩作战的伙伴——约尔哈·艾森茨。 “我需要你的力量！”传说中的队伍再次集结，新的故事拉开帷幕——开始吧，新的传说。那一天的延续。永无止境的日常（Lasting Period）！
电影23000条生命
路易斯·霍夫曼 / 玛拉·昂德 / Katharina / Stark / 弗雷德里克·劳 / 玛丽亚·德拉格斯 / Trevor / Magaya / Kathy / Etoa / Felice / Saibon / Wang / Joone
灵感源自青年援救的真实故事，讲述了一群年轻人不愿袖手旁观，眼睁睁看着无数难民在前往欧洲的途中葬身地中海。尽管毫无海上救援经验，他们仍发起众筹计划，购入一艘旧渔船，并最终成功救起23,000 多人...
电影阿诺德·勋伯格电影配乐导论
Günther Peter Straschek / Danièle Huillet / Peter Nestler
“What makes Einleitung, in the words of its authors, a ‘film of agitation’, is perhaps the order in which it exposes things, the time it takes to restitute these images for what they are: images taken from the point of view of U.S. power, taken on the other side. This consists in cleansing the images of any sense of déjà vu, making them produce (sweat out, reveal, chase) the power which willed them into being and which wants us not even to find them surprising. From that moment, the horror is no longer the eternal return of the same in the guise of the same old thing (retro style) but the intolerable present (Holger Meins, 1975).” Serge Daney