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动漫被驱逐开勇者派对的白魔导师,被S级冒险者捡到 ~这个白魔导师超规格~
梶原岳人 / 日高里菜 / 白石晴香 / 广濑大介 / 梅原裕一郎 / 木村良平 / 石川由依 / 真野美月 / 七濑彩夏 / 大木咲绘子 / 增田俊树 / 大森日雅 / 井上麻里奈
“实力不足的白魔导师不需要。” 白魔导师罗伊德有一天被勇者队伍逐出。失去了工作后,罗伊德偶然跟随 S 级队伍执行任务。那时,没有人知道勇者队伍会崩溃,而罗伊德将会获得名声。这是一个自认为普通的、拥有超乎寻常支援魔法的使用者成为冒险者,并在无意识中横扫一切的故事。
电影雍正大破十八铜人
上官灵凤 / 田鹏 / 黄家达 / 黄飞龙 / 胡光 / 刘立祖 / 原森 / 曹健 / 林亭君 / 俞雄美 / 张美仪 / 严重
清雍正私改诏书,谋夺帝位.传少林寺密谋造反,遂乔装平民,亲身潜伏少林寺,苦练少林上乘武功,图闯出通天门.然少林寺十八铜人阵攻守森严,武功变幻莫测,以雍正武功,能否闯关成功?而他习得一身少林武学,又会否贻害武林
动漫电波女与青春男
大龟明日香 / 入野自由 / 加藤英美里 / 渊上舞 / 野中蓝
动画改编自日本轻小说家入间人间的同名作品。<br>丹羽真(入野自由 配音)是一个来自乡下的淳朴青年,这一次,即将升入高中的他来到了繁华的大都市。川流不息的人群和让人眼花缭乱的街道令丹羽真兴奋不已,一个提升青春点数的计划在脑中油然而生。计划是这样的,和可爱的女孩子说了话或是做出 了时髦的举动,青春点数就会上升,反之则下降,这样一来,在毕业之前成为一个狂拽酷炫的青年将不再是梦想。<br>在大都市中,丹羽真寄宿在了姑姑家,没想到,一直以为独居的姑姑家中,居然住着一个各方面看起来都非常奇怪的电波女艾莉欧(大龟明日香 配音)。就这样,丹羽真和艾莉欧的同居生活拉开了序幕,有这样一个令人青春点数大跌的女孩伴在身边,丹羽真的梦想还能够实现吗?
电影人间失格:太宰治和三个女人们
小栗旬 / 宫泽理惠 / 泽尻英龙华 / 二阶堂富美 / 成田凌 / 千叶雄大 / 濑户康史 / 高良健吾 / 藤原龙也 / 坛蜜
太宰治與蜷川實花的組合,一字記之曰:色。蜷川並不服膺於太宰治半自傳小說《人間失格》的隔靴搔癢,借書之名直接拍他本人和三個女人的故事。太宰治的妻子美知子、有志成為作家的情人靜子和他最後一位情人富榮,分別由演技派女優宮澤理惠、澤尻英龍華和二階堂富美飾演,襯托著蜷川分別為三女精心設計的主題色調,色彩濃烈絢麗的畫面是一場流動的視覺盛宴。為了對抗生命的無力感,太宰治沉溺於女人與酒精,在靡爛晦暗的生活中追逐死亡之光。在蜷川的鏡頭下,他既是才子,亦是賤男,他的不堪,反而折射出人間的脆弱和美好。
动漫队友太弱所以贯彻辅助的宫廷魔法师惨遭流放目标却最强
梅田修一朗 / 久保由利香 / 田泽茉纯 / 水中雅章 / 绿川光 / 阿部敦 / 内田直哉 / 石田彰 / 丹下樱 / 日笠阳子 / 谷山纪章 / 坂田将吾
突如其来的“驱逐宣告”让命运的齿轮再次开始转动。在幕后支持王太子雷古勒斯·加尔达纳的宫廷魔法师亚历克·尤格雷特。为了保护过于弱小的雷古勒斯,本应专注于“辅助魔法”的他,却因突如其来的驱逐宣告而失去了工作。出现在亚历克面前的,是曾在魔法学院时代被誉为“传说”的队伍“Lasting Period”中并肩作战的伙伴——约尔哈·艾森茨。 “我需要你的力量!”传说中的队伍再次集结,新的故事拉开帷幕——开始吧,新的传说。那一天的延续。永无止境的日常(Lasting Period)!
电影广东十虎黄澄可之云起龙骧
程琢 / 孙祎彤 / 金宁 / 关伟君
广州知府查出九王爷欲谋反遭到杀手追杀带着爱女逃到黄澄可之处,黄澄可送二人出城之际,杀手杀死知府和黄澄可师傅,黄澄可带着知府之女逃离,黄澄可为替被九王爷杀死的人报仇,秘密查出九王爷谋反的证据,并将他歼灭……
电影盖亚·奥特曼超时空的大决战
吉冈毅志 / 滨田岳 / 齐藤麻衣 / 入野自由 / 佐藤雄太 / 杉田祐纪 / 泷本启人 / 纯名里沙 / 柳原晴郎 / 下巴勇 / 阿部能丸 / 铃木隼人 / 下村洋平 / 今井翔
一个崇拜奥特曼的男孩小勉,在一次奇妙的际遇中得到了一个红色的玻璃球,原来那是一个能够实现愿望的神奇球,而它可从不同人许下的愿望中更加彰显出许愿者心灵的善恶.....
电影叽哩咕历险记
Doudou Gueye Thiaw / Maimouna N'Diaye / Awa Sene Sarr / 罗伯特·利昂索 / 威廉·纳迪兰 / Sebastien Hebrant / Thilombo Lubambu / Marie Augustine Diatta / Moustapha Diop / Isseu Niang / Selly Raby Kane / Erick Patrick Correa / Adjoua Barry / Charles Edouard Gomis Correa
温暖鲜明的原始绘画色彩,冷静的幽默感加上一点禅意,造就了叽哩咕,这个还在母腹里就开口问妈妈:“把我生出来好吗?”的小家伙。<br>叽哩咕从娘胎里蹦出来,自我介绍:“我叫叽哩咕”,自助切断脐带洗好澡,立刻向世界丢出大串问题,爸爸呢?被女巫吃掉了,女巫为何那么凶?不知道,你得自己去找答案。祖父说,所有的问题终将导出生命的意义。而女巫的终极秘密,原来正是叽哩咕未出生就爱发问的原因。结果部落人口暴增,失踪的男人都平安归来,而且……
影视夜晚的罪恶
Nick / Cassavetes / Deborah / Shelton / Miles / O'Keeffe / Richard / Roundtree / Matt / Roe
Jack Nietsche is a hardened ex-con who now works for an P.I. firm, run by Ted Quincy. Quincy's ex-lover is Roxie, now wife to godfather Tony Falcone. In a huge mix-up/double-cross, Roxie plots with Jack to get rid of Falcone and Quincy, one an abusive husband, the other a demented role playing ex-lover, and run away with Jack. But the double crossings don't end there.
电影理解
萨尔曼·汗 / 乌尔米拉.马东卡 / Jaspal Bhatti / 山米·卡帕尔 / Sadashiv Amrapurkar / Monica Bedi / Laxmikant Berde / Bindu / Deepshika / Kannu Gill / Rohini Hattangadi / Dimple Inamdar / Grusha Kapoor / Shakti Kapoor
Chandni (Urmila Matondkar), a lower class talented night club singer and dancer, who happens to be religious, and well mannered, lives an unfortunate life with her three aunts, who dominate her life, and with a weak maternal grandmother. She dances for a living because it is the only way she can support her poor family and she hopes to give her nieces an education. One night while singing, she meets Rahul (Salman Khan), a young wealthy womanizer, and falls in love with him. Rahul feels attracted to her but he does not take her seriously. He intends to treat her just like any of his other girlfriends, and only wants to have a short affair. They get into fights all the time, only to become friends again. In one scene, she rejects his gift, which was a reparation for trying to kiss her. She feels as if he keeps following her. Later on, she is stuck alone in London, being chased by an old Indian pervert who tricked her into getting in to his car since she was stuck outside the Indian embassy. She runs out of the car after the old man tries molesting her and is coincidentally saved by Rahul. Rahul invites her to stay at his rather luxurious hotel. One day, however, his Dadaji (Shammi Kapoor), mentions that he wants to see Rahul married to Chandni. In order to fool him, Rahul asks Chandni to pretend to be his wife, which she accepts. After Dadaji leaves, Rahul and Chandni have a big fight, where Rahul slaps Chandni, and both decide to go their separate ways . However, Rahul realizes that he has fallen in love with her. He follows her back to India from London. He goes to her home and asks to speak to her, but she refuses to listen to him. So he yells out his apologies in front of her house and states that he loves her, while a crowd gathers. His ex-friend arrives there with a gang and they get into a fight. When Rahul is almost about to murder his ex friend, Chandni comes out and tells him to not ruin his life by killing Harry. Rahul then proposes to her, and Chandni wants to accept, except that she had previously promised her cold-blooded manager that she would move to another city and open a bar with him. The manager feels as if he has witnessed true love and kindly lets Chandni go. Chandni then accepts Rahul's proposal and the movie ends with them embracing each other.
纪录片鸟的天堂
新几内亚有巨大的生态价值:几乎600种独特的鸟,包括天堂鸟。<br>大卫.爱登堡:知名自然史学、生物学家和生态纪录片制作人,创作了一系列具有热烈反响的电视片。现在他制作的电视片已成为众多生态,影视爱好者观赏、收藏的顶级佳作,同样在学术上也是各院校,科研机构用于教学和研究的必备资料。
综艺纪录世界八十大宝藏
纪录片
世界文化宝藏的终极指南,踏足复活岛,与严肃的毛亚像面对面,飞到秘鲁上空,研究神秘的纳斯卡图案,深入印度泰姬陵,体验活生生的文化遗产,安座家中征服世界徫大文明建筑! 从泰姬陵到自由神像,穿越巴特龙神殿与万里长城,建筑历史专家兼电视节目主持人丹告鲁力山克 Dan Cruickshank 将透过这个BBC制作的节目带着观众在短短的五个月里,游历四十四个国家,探古索今,找寻全球最杰出的人工宝藏,展开一段紧凑的寻宝旅程,到访了世界最偏远及令人望而崇敬的宝藏,并向你娓娓道出世界伟大文明的兴衰。本系列共十集,内容涉及世界上最伟大的文明及其工艺瑰宝。其中所介绍的文物古迹包括墨西哥阿兹特文明的太阳石、日本的熊本城堡、柬埔寨的吴哥窟、中国的紫禁城和兵马俑、土耳其的特洛依遗址、耶路撒冷内的死海古卷、图腾卡门的石棺、蓝姆西斯二世的庙宇等等,与你一起见证八十个不论古代或现代人类的伟大文明及工艺瑰宝。 这套片子可以说是世界文化的普及片,让大家了解各地的文明,大家可以当观光片来看。以10集来评说80个奇迹,自然不可能太详细,想深入了解各宝藏详情的朋友,只好去找另外的专题纪录片了。另外,在网上也看到了批评的声音,指一些宝藏的选定太主观、主持人的解说有明显倾向性,评论中国宝藏时尤是。咱们就取其精华,去其糟粕吧。
电影阿诺德·勋伯格电影配乐导论
Günther Peter Straschek / Danièle Huillet / Peter Nestler
“What makes Einleitung, in the words of its authors, a ‘film of agitation’, is perhaps the order in which it exposes things, the time it takes to restitute these images for what they are: images taken from the point of view of U.S. power, taken on the other side. This consists in cleansing the images of any sense of déjà vu, making them produce (sweat out, reveal, chase) the power which willed them into being and which wants us not even to find them surprising. From that moment, the horror is no longer the eternal return of the same in the guise of the same old thing (retro style) but the intolerable present (Holger Meins, 1975).” Serge Daney