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电影
黑女孩
1966 / 塞内加尔,法国 / 剧情
Mbissine Thérèse Diop / 阿内-玛丽·耶利内克 / 罗贝尔·方丹 / Momar Nar Sene / Ibrahima Boy / Bernard Delbard / Nicole Donati / Raymond Lemeri / Suzanne Lemeri / Philippe / Sophie / Damien / Toto Bissainthe / Robert Marcy
一个为法国人家庭作褓母的女郎，随着这个家庭迁回法国，也跟着去到白人的国度，结果却像迷失的鸟，被梏锁在封闭的公寓房子里，几近奴工似的日夜做着琐碎的家务，终于在自尊心受到女主人伤害后，割腕自杀，结束一场实质及精神都同样受到剥削的悲剧。
电影
西印度群岛
1979 / 法国 / 剧情 / 剧情片
Cyril Aventurin / 费尔南·贝尔塞 / 罗兰·伯汀 / Gérard Bloncourt / Toto Bissainthe / 菲利普·克利夫诺
It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’.　　Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.

黑女孩

西印度群岛